[ An automated voice speaks because someone hasn't bothered to set up a proper voicemail. The only part in her voice is her name. ] You have reached Agent Texas. Leave a message at the tone.
[Just so. That is a bit more muted, a bit more narrow, but the whys of that were both hardly a pleasant conversation... and he couldn't quite fish all of those memories... were they still memories from the future? Precognition? This damn place. (An irrational sting of irritation crosses.)]
[Hm. I wish I could introduce you to Captain Illyan. You share a type of humor. Regardless, his own amusement colored the thought. I'm merely in the habit that written communication is monitored and can be intercepted as a standard of life. Though I wonder if such impartial movement of data could be possible through this.]
[ It's still their network. I wouldn't send anything sensitive over it that you don't want our hosts hearing about. Not sure how it works with this, but their tech is the reason you have it. A small dose of paranoia never hurts in these situations. ]
[He doesn't respond directly to that, but is setting aside a simple pad and pencils as the door to the hospital room has opened. Normally, such a simple procedure would have a discharge almost immediately after, but with Miles' history of allergy, slow elimination and very fragile bones, the overnight observation was more than justified by all concerned.
[He... moves to cover it with some older reflex, and hesitates instead, clearly undecided. The pad isn't lined, slick paper, but rough, heavy sketch paper. No complete work graced it's pages, but idle figure work amidst some rough, rectangular sketches. A few idle workings over the Vorkosigan uniform in truth, considering how to introduce them to a tailor. The more arresting image, perhaps, was tucked to the right of the page, not quite to the fore.
It had been unconscious, thoughts turned towards the newest armswoman, there was a simple sketch of Allison and Cordelia standing in the doorway, body language turned towards each other.]
No, simply time spent in idle habit. [The cover drawn on the notebook now.]
[ She freezes when she realizes that no, that's not some laundry list of precautions she needs to talk. There's a uniform, one she's only seen in Aral's images from home, and then a scene that looks more familiar to her.
She's unsure if it's good or bad that her sort-of girlfriend's husband is drawing her with his wife. ]
You have to do something to pass the time in foxholes. [ Her remark is equally conversational as her gaze remains on the drawing. There's a moment of hesitation before she reaches for the sketchbook, looking to him for permission. ]
[There's a moment's hesitation and he offers the book with a slight nod. It's a fairly new sketchbook, this collection of sketches only a few pages in.]
[Figure sketches are actually relatively rare as she pages back. Most of the drawings are strong, sure straight lines of buildings. Some with particular character around Heropa and De Chima - squat buildings, others with structural damage of time, or merely odd architectural choices. Others were the artforms of the giant spanning skyscrapers, glittering and built to sway in wind and upheaval. Though technical, they were not cold, particular attention given to the detail and character of the design...
People, animals and landscapes seemed to take up little slices around the edges of the pages, almost as if shyly practiced. They're a far rougher, less steady and sure hand than the ones deep in technical design, and more than a few scribbled out, or left at faceless circles for joints and limbs.
But there were a few finished drawings, particularly recently - a rapid sketch of strangers sitting at the coffee shop, a study in postures and expressions, suggesting boredom in some, preoccupation in others and expressive conversations in others.
There were recent sketches, many quick, unsure, determined to catch the images more than the technical accuracy. Cordelia, her face lined, but deeply composed, sure and self possessed, a certain authority in her face. Her chin is lifted, and her eyes seem to be alight with delight.
There was teenage Gregor, sitting by a windowsill, seemingly unaware of being observed. A book rests in his lap, and his bangs fall over his eyes, the show of tension is in, even alone, his shoulders seem a bit hunched.
There were a few sketches of tiny Miles, expressions defiant, challenging and full of will, but the one with the most detail was simply a study of two hands, one large, squarish and calloused, a small, delicate, tapered on, fingers barely wrapping around two of the larger fingers.]
It should be fine. ... Would you be comfortable being a reference? ... It helps.
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Something happening over there? ]
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Especially if he's worried about unwanted feedback slipping through the link. ]
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Because she's about made it to the hospital room. ]
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Aral nods when Tex enters.]
There's a list of things to watch for.
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It had been unconscious, thoughts turned towards the newest armswoman, there was a simple sketch of Allison and Cordelia standing in the doorway, body language turned towards each other.]
No, simply time spent in idle habit. [The cover drawn on the notebook now.]
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She's unsure if it's good or bad that her sort-of girlfriend's husband is drawing her with his wife. ]
I didn't know you drew.
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You have to do something to pass the time in foxholes. [ Her remark is equally conversational as her gaze remains on the drawing. There's a moment of hesitation before she reaches for the sketchbook, looking to him for permission. ]
Do you think I could have that drawing?
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... I could finish it - properly - if you'd like.
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I'd like that. You mind if I watch while you do?
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People, animals and landscapes seemed to take up little slices around the edges of the pages, almost as if shyly practiced. They're a far rougher, less steady and sure hand than the ones deep in technical design, and more than a few scribbled out, or left at faceless circles for joints and limbs.
But there were a few finished drawings, particularly recently - a rapid sketch of strangers sitting at the coffee shop, a study in postures and expressions, suggesting boredom in some, preoccupation in others and expressive conversations in others.
There were recent sketches, many quick, unsure, determined to catch the images more than the technical accuracy. Cordelia, her face lined, but deeply composed, sure and self possessed, a certain authority in her face. Her chin is lifted, and her eyes seem to be alight with delight.
There was teenage Gregor, sitting by a windowsill, seemingly unaware of being observed. A book rests in his lap, and his bangs fall over his eyes, the show of tension is in, even alone, his shoulders seem a bit hunched.
There were a few sketches of tiny Miles, expressions defiant, challenging and full of will, but the one with the most detail was simply a study of two hands, one large, squarish and calloused, a small, delicate, tapered on, fingers barely wrapping around two of the larger fingers.]
It should be fine. ... Would you be comfortable being a reference? ... It helps.
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